Es klang wie eine Liebeserklärung an die Künste des Gottfried Helnweins, als Antje Vollmer, Vize-Präsidentin des Bundestages, bei der Eröffnung der Ausstellung "Beautiful Children" in der Ludwig-Galerie formulierte: "Es hat lange gedauert, dass er wieder in Deutschland zu sehen ist."
Ein Ereignis, das bei der offiziellen Eröffnung am Sonntag den erwarteten Besucher-Ansturm erzeugte. Trotz brütender Hitze drängten sich Neugierige, Fans und Sympathisanten in einer viel zu kleinen Begrüßungshalle. Fernab der ersten Reihe, zwischen den stehenden Kunst-Anhängern, die den Kampf um die Sitzplätze verloren hatten, verweilte beinahe unbemerkt mancher Promi, wie Fernseh-Talkmaster Alfred Biolek. Ob als Neugieriger, Fan und Sympathisant: Biolek war gekommen, um Helnweins Werke zu sehen. ...

"For me, art is a way to fight back against everything I've experienced: I wanted to respond, but I didn't know how to articulate it. But I could paint it. That medium opened all doors. Certain images can reach so deeply into people's souls.
"And I feel also like a witness to my times - that's my duty, my responsibility." One role of art, he believes, is to "force people to look at things they would rather not look at," an impulse he sees in Goya and Shakespeare. ...

Helnwein, ein Ziehkind von Los Angeles mit Atelier im Gewerbeviertel von Downtown, spielt den Zeiten einen(Genie-)streich. So schmust im ersten Akt die brokatgewandete Marschallin mit einem punkblau gefärbten Octavian. Die Hofgesellschaft tobt kreischend durchs Palais Faninal, Bugs Bunny und Men in Black mittendrin, Lemuren und Außerirdische unter sich. Der immer bravouröse Ochs des Kurt Rydl macht sich im rot ausstaffierten Salon über das Mariandl her; Helnweinsche Frauenporträts strahlen von den Wänden, ein Fest nur scheinbar unschuldiger Erotik. Seine Modernisierung ist nostalgisch, ein Farbenfest, zuweilen merkwürdig anklingend; ohne aber je dem traditionellen Rahmen zu entfallen. ...

Parte de la importante colección Essl llega al Museo de Arte Moderno para exhibir piezas de 18 artistas austriacos y 12 artistas internacionales, en reciprocidad por la muestra Modernismo mexicano presentada en el museo privado Essl Kunstsammlung en Viena.
El accionismo vienés (Günter Brus y Hermann Nitsch); Arnulf Rainer y Antoni Tápies; La pintura vive (Georg Baselitz, Markus Lüpertz, Siegfried Anzinger, Hubert Scheibl, Herbert Brandl, Martin Kippenberger, Franz West), y Aspectos de la figura (Alex Katz, Katrin Plavcak, Muntean/Rosenblum, Jim Dine, Gottfried Helnwein, Maria Lassnig, Elke Krystufek ...

- The Los Angeles Opera's much-anticipated new production of Strauss's "Rosenkavalier" opened on Sunday night at the Dorothy Chandler Pavilion, and you can bet that the high-concept and boldly stylized sets and costumes by the designer and visual artist Gottfried Helnwein are going to provoke the strongest reactions.
Restraint was not a hallmark of the outlandishly captivating production. In a detailed program note, Helnwein writes that the era of Maria Theresa was a time when everything was theater, at least for the upper class, and that over-the-top fashion styles often included masks and white-face. His designs combine spartan sets with wildly extravagant costumes ranging in style from the surreal to the ridiculous. Act I is bathed in shades of blue. In their stiffly modern blue suits and blue-faced makeup, the Marschallin's notaries look like the members of Blue Man Group. In Act II, the mansion of Herr von Faninal, a wealthy commoner with aristocratic pretensions, glows with garish golden yellows. Faninal's servants could be creatures from "The Cabinet of Dr. Caligari," no doubt an intentional evocation: the production begins with projected scenes from Robert Wiene's 1926 silent film adaptation of "Der Rosenkavalier," and Wiene also directed "Caligari."
In any event, the cast seemed empowered by the production. ...

The thing you should know about this "Rosenkavalier" is that it is terrific. Richard Strauss' opera sounds great and looks sensational. It is excellently sung, sumptuously conducted by Kent Nagano and, thanks to Gottfried Helnwein, wondrously strange.
Helnwein — the Austrian artist (painter, photographer, performance artist, filmmaker) who has a studio in downtown L.A. — is known for everything from Marilyn Manson videos to Holocaust installations. He is responsible for the sets, costumes and that ad (which, by the way, looks like an image from a recent staging of a Schumann oratorio that Helnwein designed in Düsseldorf).
Helnwein's vision of "Rosenkavalier" is monochromatic and a riot of color. It is oddly traditional yet seriously odd. It is updated but couldn't be more 18th century. And none of those opposites contradicts. ...

Nun findet sich die Antwort auf die Frage nach dem Verbleib Gottfried Helnweins in massiven Schlagzeilen der “New York Times” und der “Los Angeles Times”. “Ein Aufstand der Farben, exzentrisch, anachronistisch, wundersam”, jubeln die Kalifornier. Die Kollegen von der Ostküste schreiben von “ausserirdischer Faszination und wilder Extravaganz”. Gottfried Helnwein hat an der von Placido Domingo geleiteten Oper von Los Angeles den “Rosenkavalier” von Richard Strauss ausgestattet. Maximilian Schell inszenierte, Kent Nagano dirigierte, und die Premiere zu Wochenbeginn geriet dem alten Fuchs Domingo zum Clou der amerikanischen Opernsaison. Schon in den Überschriften aber wird klargestellt, wer hier der Chef war: Gottfried Helnwein nämlich, geboren in Wien als Sohn eines Postbeamten, Konzeptkünstler, Fotograf, Filmer, unvergleichlich resistent gegen Katalogisierungen. ...

Gottfried Helnwein arouses creative tumult. - Los Angeles Times ...

STAGE DESIGN - Gottfried Helnwein
COSTUME DESIGN - Gottfried Helnwein
CONDUCTOR - Kent Nagano
DIRECTOR - Maximilian Schell ...

For the last several months, Downtown-based artist Gottfried Helnwein has switched back and forth between two realities. In his Arts District studio, he works on material to fill gallery and museum shows booked into 2008, all over the world.
Then he steps out into the sunlight, chats in several languages to several friends at a coffee shop on Traction Avenue, and walks to the Los Angeles Opera's costume shop on Alameda Street. Here, he oversees the costumes and sets for Der Rosenkavalier, which opens May 29 at the Dorothy Chandler Pavilion. ...

Eins zeigt ein Mädchen mit frechem Gesicht und Blindenband um den Arm, das die Zunge herausstreckt. Erst habe ich gelächelt. Wer den Blick länger verharren lässt, sieht, dass dem Mädchen Blut zwischen den Beinen herunterläuft. Es wurde ganz offensichtlich missbraucht, ihm wurde Gewalt angetan.... Ja, Kinder sind verletzbar. Kindheit kann grausam sein, wenn Kinder ausgeliefert sind. Ich denke an sexuellen Missbrauch, eine unglaublich Form von Folter an Menschen, die lebenslang an dem Trauma leiden werden. Ich denke an Kindersoldaten in Togo, im Kongo, im Sudan. Zerstörte Leben, brutal geopfert für idiotische Machtkämpfe, in denen Zerstörung das oberste Gebot ist, in denen es keine Ziele mehr gibt. Ich denke an Kinder in Indien, die schuften schon mit fünf Jahren um ein paar Münzen zu verdienen, damit ihre Familie überleben kann. Ich denke an die 12-jährigen Judith Wischnajatskaja, die im Juli 1942 in ihrem letzten Brief schrieb: “Lieber Vater! Vor dem Tod nehme ich Abschied von Dir. Wir möchten so gerne leben, doch man lässt uns nicht, wir werden umkommen. Ich habe solche Angst vor diesem Tod, denn die kleinen Kinder werden lebendig in die Grube geworfen.“ ...

Catalogue cover: Gottfried Helnwein, Head of a Child 5, 1998 ...

"It was such a great pleasure showing all members of the cast Helnwein's incredible paintings. The girl who plays the "girl in the pit" was particularly impressed by the girl on the cover."
Nava Semel ...

Cover: Portrait by Gottfried Helnwein ...

Kevin Smith wept when he finally received the painting of Gottfried Helnwein
"I don't spend money on coke or whores." deadpans Kevin Smith. "And I am not a big car guy with a fleet of Ferraris or anything like that. But I can get behind an indulgence like this."
The indulgence in question is towering a nine-foot-tall canvas of Smith's daughter, Harley, which hangs in the entry of his Hollywood home.
Smith commissioned the portrait two years ago from Austrian Artist Gottfried Helnwein, who is best known for his dark, noir-style paintings.
Smith admittedly wept when he finally received the work, which has since become his pride and joy - a family heirloom that is a testament to his love for his child as well as being a serious work of art. ...

just yesterday i found out that a helnwein exhibition is in a museum near me.. about 10 mins away from here.. so i decided, as a huge helnwein freak, to go there...
69 pictures also photographs with manson, my favorite painting collection featuring the "angels sleeping" series were spreaded over 8 rooms. i was dressed up in floorlong black leathercoat, my new rock boots, a shirt with one of marilyn mansons paintings on it, lotsa spikes and make up shit.
it gives me so much.. helnwein is one of the best artist this world has at the moment.. and his kids are also cool..unbelievable how creative this whole fucking family is, a creativ chaotic household...hehe... ...

one-man show ...

The artist Gottfried Helnwein stands in front of large-sized painting which depicts a group of SS officers and a woman holding a child at the Wilhelm-Busch Museum in Hanover, Germany, Friday, 11 March 2005. The child is at the centre of the exhibition 'Beautiful Children' by the controversial artist Helnwein. 50 paintings, drawings and large-size photographs are exhibited from 13 March to 5 June 2005. Its the first time in years that Helnwein is again exhibiting in Germany. ...

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A highly satisfying survey of his work at the Legion of Honor museum titled "The Child" was dominated by images of children, as was a current exhibition of his more recent work at Modernism. ...